Tag: cruefest

  • Mosh Pits and Group Hugs: The Ichthus 2011 Report

    Mosh Pits and Group Hugs: The Ichthus 2011 Report

    The First, age 16, just returned from the Ichthus Music Festival in Wilmore, KY.

    Over a hundred bands on more than seven stages, four days running. Approximately one bajillion crazy spectators, mostly unwashed (they do have cold showers there, and there was a trailer where you could pay $3 for a hot shower, but the First did not elect to spend his cash this way, preferring instead to tough it out and get hosed down regularly in the mosh pit; more on that later).

    Having decided to drive home in the middle of the night in order to beat thunderstorms (which relegated all festival-goers to their vans as a result of concert-wide ruling) and the end-of-Ichthus crush to leave, he and his group of friends arrived back at our church near-zombified, but happy.

    He grabbed his gear and slid into the backseat of my car with one of his brothers and sighed happily. “There’s so much room in here,” he commented, stretching out in my little compact. He made the trip up to KY in the back of a 15-passenger van loaded with 15 passengers and their luggage, and rode back in the cab of a small pick-up truck with three passengers (luggage piled in the flatbed).

    They all became quite close.

    I waited interestedly to see if the urgent need for sleep would win out over the desire to give the first festival report.

    “There were some incredible bands,” he summarized, reeling off the names of a dozen or more. “And the mosh action was phenomenal.”

    Ahh, the mosh pits.

    Two years ago I introduced the First and the Ice to mosh pits at Crüefest, their first major concert festival, telling them well in advance to keep away from the front of the stage, and carefully and repeatedly explaining what they should do if they found themselves caught up in a spontanteous mosh.

    I had worried about it so much, and then I was the one who got caught in one up at the Rev Theory stage. Fortunately, only my sunglasses got broken before I could get out.

    I was pleased to learn that moshing may have been somewhat institutionalized since then. Apparently at Ichthus, there are not only rules — you have to have pit hair to get in the pit (clever! disgusting!) — there were also clearly designated areas for moshing. There were also people keeping the area and the moshers hosed down. The First said that was because the lots were gravel, and the hoses were to keep down the dust. But it also cooled off the moshers quite nicely. Probably washed off any blood as well, hah.

    But most notably, the mosh pits had lifeguards! Burly dudes in orange bandannas, who were the first to snatch up people who fell and who also stood as a living barrier between the crown and the moshers.

    This I found truly heartening, no joke.

    I grew up in the era when moshing was invented, and you could get seriously injured in a mosh pit at at Bad Brains or Black Flag concert.

    By the way, I highly recommend the documentary American Hardcore for footage of the early punk rock scene — you can watch the entire film online for free at this link and here’s the trailer, also embedded below, which will give you a good idea of what I mean. The footage that starts about 57 seconds in is forever etched on my brain, and I have always been exceedingly cautious at concerts because of this sort of thing happening during my early concert-going years.

    So while my son related his various experiences in the mosh pits at the hardcore stage, I was incredibly grateful to hear him casually mentioning how well-monitored the pits were, and how, err, safe. Even when the bands themselves screamed for a Wall of Death (here’s a link where you can see the Wall of Death) the kids seemed to all take care of each other.

    I mean, as much as you can “take care” in a mad rush to slam yourself bodily against an oncoming tide of humanity.

    But here’s the interesting thing.

    He mentioned something I’d never heard of before: pre-moshing group hugs. Apparently there was a guy who regularly helped initiate the moshing, and the First said that sometimes, when the pits were full but not yet moving, this guy would gesture wildly to get everyone’s attention, and then throw himself madly at his fellow moshers in a ferocious hug.

    And as if by some predetermined agreement, an all-out, near violent (but nonetheless well-meant!) mass-moshpit hug would occur. In my mind it looks something like the exuberant dogpile you sometimes see in football and other sports, immediately after the team has pulled off an incredible win.

    And after the hug, full-scale moshing.

    I have no idea whether this was something unique to Ichthus (which is technically a Christian music festival) and/or this particular dude, or whether it’s a trend in hardcore mosh pits these days.

    Either way, I kind of like the idea, don’t you?

    Image by Rich Copley, posted on Copius Notes.

  • Crüefest 2, Raw and Uncut

    Crüefest 2, Raw and Uncut

    I might have guessed when they split the entering crowd into a men’s line and a women’s line for a full-body pat-down that Crüefest might get a little out of control. It was hot as hell, no breeze, the drinking began well before any of the featured bands hit the main stage, and the inhalables were out before the sun went down. The crowd ran the gamut, but tended toward overweight, underdressed, rock rednecks who had girlfriends eager to strip off their shirts in public. If I don’t see another beer-bellied dude with pierced nipples for a long time I’ll be okay with that. And if the crowd was unruly, the bands, when they stopped playing and started talking, were way worse. When did great music become disconnected with the ability to complete a coherent sentence without dozens of f-bombs? I could be getting old.

    Nah. I’ve been to great concerts before, this just wasn’t one of them.

    Charm City Devils
    The first decent band to take the stage was Baltimore-based Charm City Devils, a straight-up garage-shaking classic rock band in the tradition of AC/DC and Guns n Roses, before either of those bands made it big. Their first release is being piloted by Crüe’s own Nikki Sixx through Eleven Seven Music. Their big single “Let’s Rock and Roll” seemed to go off well with the crowd, although I thought “It’s All About the Money” was much better. And high-voltage frontman John Allen, no less that many of the bigger bands at Crüefest, needs to shut up and sing. The patter is unbearably banal.

    Cavo
    While Drowning Pool did their screamo thing, I wandered over to a side stage and was pleased to catch Cavo in high rock mode, thrashing out earth-shattering guitar riffs and making my skin vibrate. I love standing three feet from a 16-speaker stack. Cavo is a bit more heavy metal than Charm City Devils, and they did a respectable job of rockloading that stage. Special props to grinning, bechained bass player Brian Smith, who delivered excellent frontman support and engaged the fans as well. (And he clearly works out; check out those biceps. I have such a thing for bass players. Was that a 5-string bass?) Btw, they did a nice video on YouTube thanking their fans for helping their single, Champagne climb up the charts. I didn’t hear them do Champagne, but Blame was a huge crowd pleaser during the time I was at their stage.

    Mosh WatchTheory of a Deadman
    When these guys took the main stage I had high hopes, but ended up being disappointed. They had drawn a good number of followers to the venue; I saw lots of home-made fanmerch (most notably super-tight, ripped, and puffy-painted “Bad Bad Girlfriend” tees) and expected the subsequent delivery of solid rock goods. However, lead singer Tyler Connolly had continuous trouble staying on pitch. He may have just been having a bad (bad) night, but he definitely had one all night long during this performance at Crüefest. They seemed to connect with the angst-flooded teen crowd, though, especially with I Hate My Life, which had every single high-schooler in the arena (and they were legion) on their feet, screaming the lyrics with fists in the air. ToaD “gets” highschoolers, I think. And what a great acronym, huh?

    Best of Show: Rev Theory
    So while ToaD riled up the teens, I headed over to a side stage to catch Rev Theory, which Rev Theorywas hands down the shock-runaway success of my entire Crüefest. This experienced band out of NYC has seen a good bit of success already, notably with World Wrestling Entertainment pushing some of their songs to the top of the charts, and leading them to a gig with Xbox LIVE. I happened to walk in on Far From Over (you MUST click through!), and got instantly pummeled by the grandeloquent, superinflated, unapologetic overload of heavy rock. These people NEED AN ARENA! And pyrotechnics! And more tight, slit-open leather, oh, yes, far far more! I was sucked in and giving them my full participation in Gimme a Hell, Gimme a Yeah, and actually got caught in a spontanteous mosh which broke my favorite pair of sunglasses and nearly got me squashed by an overzealous sweaty Hell Yeah dude, but it was all good. It was all excellent! It was a Pearl Jam, Nirvana, Queen-inspired, beyond Metallica wünderbeast. Screaming riff heaven. And the guitar player with the nose-ring and the long black hair? Torturously delicious rock crush. If you do nothing else, download Rev Theory NOW and turn it way, way up. Skip Drowning Pool, ToaD, even (gasp! I’m gonna say it!) Godsmack and Crüe, and give me more speakers, more power, and far more Rev Theory.

    I don’t know if I can continue, but I’ll try.

    Godsmack
    Let’s begin with the “don’t talk” part. True, I was still not recovered from the Rev Theory tsunami, but Godsmack was where I began to grow intensely weary of the endless string of uncreative profanity and meaningless chatter. The music was great, even outstanding, and there were certainly plenty of fireballs belched onto the stage to engage the most Rev Theory-dazed jade. Frontman Sully Erna knows how to do a show, but this one felt a little overscripted. The dueling-drum set piece was refreshing by virtue of Erna’s set being entirely done with hand drums and cymbals, and the intrumental break he spent encouraging front-row fans to take the guitar pick from his mouth was… diverting, but I wasn’t excited by the “Show us your t*ts” plea, and I ended up feeling underwhelmed by the show, despite a solid musical performance.

    Mötley Crüe
    This was arena rock in the great tradition of ELO, Journey, Styx, and Queen. The eerily-greenish padded cell (for the opener, Dr. Feelgood) was creepy and beautiful, and the strobe-lit walls were slowly split and flown up to be part of the mental-hospital-operating-room big set at the end of the number. The band rocked without a hitch through the entire Dr. Feelgood album, and thrilled the crowd with Kicksteart My Heart, Without You, and Same Ol’ Situation. The two long-legged glitter girls seemed a bit unnecessary, but I understand the desire of aging rock stars to keep baby candy on hand. I have to say, though, that Vince Neil is missing absolutely NONE of his range. That was deeply satisfying, and no mean trick.

    In retrospect, I’m not thrilled that I took my middle-schoolers to the show. I was proud of them, though; they listened carefully to my warnings to get clear of mosh pits as quickly as possible, and they were quiet and thoughtful when I shared my discouragement at the overall bad behavior, wretched language, and overt drug use at the concert. I think they loved the music for the music’s sake, and that’s the best way to come away from this Crüefest.

    Well, that and Rev Theory. Yeah.

    Rock Boyz

  • Poison and Def Leppard Light Up Walnut Creek

    Poison and Def Leppard Light Up Walnut Creek

    Thank you so much, friend of @ericstroud who had a wedding on the night that Cheap Trick, Poison, and Def Leppard were scheduled to play the Walnut Creek ampitheater. And thank you Eric, for tweeting out your tix when you couldn’t go, great idea!

    There were a few bumps, however. In the “band drama” department, someone decided two hours before the concert that no cameras would be allowed, which caused a HUGE pile-up at the gates as people either DefLep2turned around and walked back to leave them in their cars, then came and got in the line again, or else turned in their cameras to Security (our choice) and hoped for the best (we got it back by waiting in line AGAIN in order to leave). They’re not saying which of the prima donnas uttered this ridiculous “Oh dear, we can’t be caught on film!” decree, but I vote for Brett Michaels just because I can. He seems to stay hip-deep in drama; apparently he fractured his nose last month as he was exiting the stage at the Tony Awards — a descending piece of the set bashed him in the face. (Can you even picture him with Pamela Anderson? Me either, and don’t send me the link to that sex tape, people.)

    The entrance Pile Up Of Thousands meant we totally missed Cheap Trick, although we could hear them a little bit over the drunken grousing as we waited in line.

    Poison, Brett Michaels included, delivered the goods, and then some. After I got over the shock of paying $10 for a Yuengling (gasp — and I bought two), I went up front to see if I could get close to the stage for an iPhone photo (don’t tell the band), but the bouncers were in fine form and you can’t get past them to even enter the area with the seats at all. ‘Sokay, tho — you could hear juuuust fine, and if you can’t witness the glam up close and personal, at least you can ride the groove. And the peaceable crowd made a nice contrast with the recent insanity of Joan Jett in Moore Square.

    DefLep3Def Leppard can raise up some jam, too, and it was great to hear them do it. I forgave Joe Elliot‘s inability to hit the high notes all night long — it was clever of him to let the crowd carry part of the burden on a couple of their songs, and after all he HAS been doing this since 1977. Gotta cut the dude some slack, Jack.

    Classic bands, great music, fabulous night. AND I scored a couple of $10 tickets to CrueFest later this month. Motley Crue will be playing with Godsmack, Theory of a Dead Man, and Drowning Pool, and I’ve already heard great things about it.

    Planning to take the First, who is utterly stoked. Gotta raise up the next generation right.