Tag: hardcore

  • The Geography of Boxing Guts

    The Geography of Boxing Guts

    There is a visually simple way to understand where you are — and change your position — on the fear scale in boxing.

    Sparring can be scary, of that there’s no doubt. And there’s always dread to overcome when making the decision to roll under those ropes. But there’s actually a very physical way to shift yourself forward and make it into the ring.

    The first thing you need to understand is the difference between a regular sparring night and a hard sparring night, because if you are going to see the absolute truth about where you stand and make real progress in shifting yourself forward in boxing, you need a hard sparring night.

    On a hard sparring night, things get very clear, very quickly.

    A single look at the gym will tell you everything, and you can make your decision about whether you decide to fold and watch or play and win.

    And you absolutely will win if you play.

    Because just being willing to get in the ring during a session like that will move you forward, no matter how you actually perform during your sparring.

    But there’s more to it than that. Let me see if I can explain…

    The typical sparring order and match-ups

    In most of the gyms where I’ve trained the littlest boxers typically go first in sparring. Maybe it’s because they’re small or young, and their parents will be waiting to get them home, fed, and off to sleep.

    After the younger ones have their ring time, the rest of the team begins to work, not necessarily by rank, but simply based on what the coach wants to achieve with each boxer. I might get paired with someone who is a fast puncher because the coach wants me to practice my defense, for example. Or a heavyweight will get put in with a visiting heavyweight because the home boxer rarely gets a chance to really unleash as well as experience the power and pain that another person of the same weight brings to the ring.

    If a boxer is behaving poorly, refusing to take instruction, and allowing their emotions and issues to cause them to brawl rather than box, the coach might put them in with someone who is technically better and who can pound a physical lesson into them. Incidentally, that lesson is called “get yourself under control, boy” and it’s still hard for me to understand, but my husband says it’s a guy thing. It looks like a street fight, and it’s often bloody, but it seems to be a part of the way boxing works.

    And as I mentioned earlier, there are also different kinds of sparring nights. Some are more easygoing and filled with stops and starts, and some are all-out war.

    War nights are good to have on occasion, because a real boxing fight is not about patty cake. It isn’t you and your buddies, messing around. It’s serious hard work, and it can be  brutal.

    Every gym has war nights. My gym had one recently, too.

    What happens on a war night

    There were maybe 15 to 18 boxers training in the gym when the coach sent everyone to gear up and went and took his place ringside on a painted wooden stool.

    The young kids did not go first.

    Instead, Coach put in two of the top boxers in the gym, instructed everyone to ignore the bell, and calmly uttered the one word that causes every fighter’s engine to roar to life, “Box.”

    Those are the first two clues to a hard sparring night. Different order of business, no bell boundaries. Your gym might keep to the bell, but no bell means you’re about to work quickly all the way to failure (and then you’ll work some more).

    The top boxer stayed in the ring as multiple fighters rotated in and out. I’ve been in that “stay in” position in other gyms (with less skilled people than Second Round) and it’s something everyone should experience once in while.

    When the coach puts you in and makes you box to the end of your ability with a string of fresh fighters, you not only feel great to be in that position, you learn a lot about your strengths and your limits. You find out what areas of training you’ve been neglecting. You discover how long you can last. You learn how to defend once you’re played out.

    The top boxers at my gym went in, one after another. The shots were not training level. No one pulled punches. No one messed around. Everyone threw full power, all out.

    About 5 minutes in, someone went over to the boom box and turned the volume way down until all we could hear was the relentless slam of leather against flesh, the bright pop of a glove against headgear, and the dull thud of a perfectly executed body shot.

    The church of boxing had been called to order, and the supplicants focused all their attention on the ferocious litany in the ring.

    This is the time when you can see, visually, exactly where you are on the fear scale.

    Where boxers stand

    On a hard sparring night like this, the unspoken code is: watch or leave.

    Every heavy bag hung undisturbed. The constant chatter of speed bag was silenced. There was no intermittent clang of weights being racked. No one skipped rope, or shadowboxed, or chatted aimiably on the ragged, garage-sale couches at the back of the gym.

    And if you find yourself in a holy moment like this, look around to see where everyone stands. Physically.

    Most of the fighters were ringside, leaning up against the ring apron, watching the action through the lower two ropes.

    One man stood, jump rope in hand, about 6 feet back. Periodically he would wander over to the heavy bags. I was fairly certain he would not get in. (He didn’t.)

    A thin young teenager stood nervously next to the freestanding pull up machine. I thought he might not get in, either. (He didn’t.)

    Anyone further back than that is most likely doing their best to avoid the battleground and stay out of the fight.

    Which is perfectly acceptable.

    But the phrase “know where you stand” is particularly useful here. If you want to shift your fear, you need to walk forward. If you want to tell your body that regardless of what your brain says, you intend to spar, you need to stand where you are actually touching — connected to — the ring.

    And here’s another piece of that same puzzle…

    Are you ready?

    Last night I suddenly realized, during this moment, that although I was leaning against the ring apron, peering intently through the bottom two ropes at the action, I had not geared up.

    In fact, neither had the guy with the jump rope in hand, by the heavy bags.

    It’s true, I was late coming in, and was only warming up as everyone else was getting ready to spar, but now that the game was on, what did my relative unpreparedness say about my willingness to get in the ring?

    It was clearly a war night. I’ve been here before; in fact, the first time I experienced it I bailed. I needed to take stock and make a decision about how much I would allow my fear to rule me.

    I turned and walked to the back of the gym, quietly gathered my gear, and returned to the side of the ring and began to gear up.

    The unspoken request

    If you expect to be put in the ring on a night like this, you have to mentally request it. Your posture, your attitude, your engagement level all have to tell your coach that you are willing to get in if he calls your name. He’s not going to call everyone, because the stakes are higher, and there needs to be room for people to keep themselves out of the fight even if they stay in the gym.

    This is about eye contact. About listening intently to whatever comments and instruction the coach is giving the fighters. It’s about leaning in, both mentally and physically, no matter how much the edge of the ring feels like the edge of a blade.

    The test of fire

    The coach at Second Round is phenomenal.

    A former pro boxer himself, Coach Massey completely understands the dynamics of fear, and the geography of boxing guts. He works with, rather than against his boxers. He rarely raises his voice, but instead trains us to hear his voice anywhere in the gym (no matter the din) and respond to his instruction. He will take me farther than I would go on my own, and I can count on him to judge accurately when to push and when to leave be.

    Last night there were many other issues to be worked out among our top fighters before I could get a chance to box, but I was ringside, I was geared, and I was mentally asking to fight, despite my fear. I knew he would call my name, and finally I heard him say, without even looking in my direction, “Lisa. On deck.”

    I swallowed hard, levered myself up onto the ring, and waited outside the ropes for his signal.

    As it happened, I was in pretty good shape for my challenge. I’m keeping up with my workouts and doing my sprints. Earlier in the week I had gone 6 rounds or so with no bell, working on inside fighting only. Trey, a beautiful, powerful light heavyweight had given me plenty of hard work, forcing me to stay knee to knee, leaning into me and making me bump him off with my shoulder and dig in with right and left uppercuts before finishing with a left hook to his head. Over and over. Slowly I shed my fear of his powerful shots to my body, and quit hopping backwards to my more comfortable outside fighting position.

    On war night my gas was good, I wasn’t already tired out, and I felt mentally as solid as you can in these situations.

    My first opponent was a fierce young man named Shaq. He’s fast, but he’s smaller than I am, so I knew I could take his power. I intended to give him a taste of my hard right, and I was primed to stick with the inside game if he forced the issue. I planned to employ every illegal tactic I could (our coach is pretty lenient on this issue) to tip the scales in my favor. I’d already seen some damn messy (and bloody) brawling, and I’d heard the coach tell us  that just because a shot was ugly didn’t mean it wasn’t effective. I was ready.

    No bell, just the word from the coach. I rolled in with guns blazing, and Shaq let me dominate the first minute or so.

    He’d already been fighting and I was fresh, but I started to suspect he was “going easy” on me, so I pinned him to the ropes and growled at him. “You better bring me something to work with, dammit,” I told him, and before I could finish up with a suitable threat, he had spun out and rocked my head back with the most beautiful, crispest jab ever thrown.

    “Nice.” I commented, “Thank you.” And we were on.

    We worked a couple of rounds I think (no bell, hard to figure it), before the coach switched up fighters again, and I ducked out feeling wonderful. I knew he would put me in again (he did, with a very tired Trey), and I might not look as fresh or fight as well, but I’d already won the real victory.

    I’d gone forward. I’d shown I was ready. And I got in.

    And that’s the most beautiful part of boxing.

    Photo by Official U.S. Navy Imagery, creative commons license

  • Mosh Pits and Group Hugs: The Ichthus 2011 Report

    Mosh Pits and Group Hugs: The Ichthus 2011 Report

    The First, age 16, just returned from the Ichthus Music Festival in Wilmore, KY.

    Over a hundred bands on more than seven stages, four days running. Approximately one bajillion crazy spectators, mostly unwashed (they do have cold showers there, and there was a trailer where you could pay $3 for a hot shower, but the First did not elect to spend his cash this way, preferring instead to tough it out and get hosed down regularly in the mosh pit; more on that later).

    Having decided to drive home in the middle of the night in order to beat thunderstorms (which relegated all festival-goers to their vans as a result of concert-wide ruling) and the end-of-Ichthus crush to leave, he and his group of friends arrived back at our church near-zombified, but happy.

    He grabbed his gear and slid into the backseat of my car with one of his brothers and sighed happily. “There’s so much room in here,” he commented, stretching out in my little compact. He made the trip up to KY in the back of a 15-passenger van loaded with 15 passengers and their luggage, and rode back in the cab of a small pick-up truck with three passengers (luggage piled in the flatbed).

    They all became quite close.

    I waited interestedly to see if the urgent need for sleep would win out over the desire to give the first festival report.

    “There were some incredible bands,” he summarized, reeling off the names of a dozen or more. “And the mosh action was phenomenal.”

    Ahh, the mosh pits.

    Two years ago I introduced the First and the Ice to mosh pits at Crüefest, their first major concert festival, telling them well in advance to keep away from the front of the stage, and carefully and repeatedly explaining what they should do if they found themselves caught up in a spontanteous mosh.

    I had worried about it so much, and then I was the one who got caught in one up at the Rev Theory stage. Fortunately, only my sunglasses got broken before I could get out.

    I was pleased to learn that moshing may have been somewhat institutionalized since then. Apparently at Ichthus, there are not only rules — you have to have pit hair to get in the pit (clever! disgusting!) — there were also clearly designated areas for moshing. There were also people keeping the area and the moshers hosed down. The First said that was because the lots were gravel, and the hoses were to keep down the dust. But it also cooled off the moshers quite nicely. Probably washed off any blood as well, hah.

    But most notably, the mosh pits had lifeguards! Burly dudes in orange bandannas, who were the first to snatch up people who fell and who also stood as a living barrier between the crown and the moshers.

    This I found truly heartening, no joke.

    I grew up in the era when moshing was invented, and you could get seriously injured in a mosh pit at at Bad Brains or Black Flag concert.

    By the way, I highly recommend the documentary American Hardcore for footage of the early punk rock scene — you can watch the entire film online for free at this link and here’s the trailer, also embedded below, which will give you a good idea of what I mean. The footage that starts about 57 seconds in is forever etched on my brain, and I have always been exceedingly cautious at concerts because of this sort of thing happening during my early concert-going years.

    So while my son related his various experiences in the mosh pits at the hardcore stage, I was incredibly grateful to hear him casually mentioning how well-monitored the pits were, and how, err, safe. Even when the bands themselves screamed for a Wall of Death (here’s a link where you can see the Wall of Death) the kids seemed to all take care of each other.

    I mean, as much as you can “take care” in a mad rush to slam yourself bodily against an oncoming tide of humanity.

    But here’s the interesting thing.

    He mentioned something I’d never heard of before: pre-moshing group hugs. Apparently there was a guy who regularly helped initiate the moshing, and the First said that sometimes, when the pits were full but not yet moving, this guy would gesture wildly to get everyone’s attention, and then throw himself madly at his fellow moshers in a ferocious hug.

    And as if by some predetermined agreement, an all-out, near violent (but nonetheless well-meant!) mass-moshpit hug would occur. In my mind it looks something like the exuberant dogpile you sometimes see in football and other sports, immediately after the team has pulled off an incredible win.

    And after the hug, full-scale moshing.

    I have no idea whether this was something unique to Ichthus (which is technically a Christian music festival) and/or this particular dude, or whether it’s a trend in hardcore mosh pits these days.

    Either way, I kind of like the idea, don’t you?

    Image by Rich Copley, posted on Copius Notes.

  • Jucifer Melts Down Volume 11

    Jucifer Melts Down Volume 11

    I still can’t believe I convinced my husband – the man who took me to see Air Supply, Billy Joel, and Billy Squier in concert when we were dating — to go with me to a hardcore metal show.

    We swung by the drugstore on the way so I could pick up a fresh box of Dr. Doug’s Physician Trusted Super Soft Latex-Free Earplugs, rated for 29 decibels, one decibel south of the highest noise reduction rating you can get. Five bucks for 10 pairs and well worth the price.

    “Are you really sure I’m going to need these?” he asked, as I handed him the packet and told him to put two in his pocket.

    “Dude,” I replied. “This is not like a U2 concert. You’ll be glad you have them.”

    We pulled up in front of the Volume 11 house-turned-warehouse, parked in the last spot in the lot, showed our ID (door guy was making his paycheck, carding us), paid up, and we were in. We ambled in past the Donkey Kong cabinet and the giant Black Sabbath poster and I checked the drink list posted over the bar.

    Drink menu at Volume 11

    “What’s in an Open Grave?” I asked the long-haired kid behind the bar, half expecting a sarcastic reply — a choice punk snark for a middle-aged white chick at a hardcore show.

    Instead he was earnest, but thrown off guard by the question. “Uh, just…” He waved his hands around in the air, trying to stir up an answer. I waited. “Just some stuff I put together,” he said finally. I nodded, made no comment, and checked the list again.

    “Electric Coolaide,” I mused. “Sounds like PGA Punch.” That was the favorite high school drink – pure grain alcohol and whatever sugary crap could be scrounged from a fridge.

    “Yeee-ah,” he said, drawing it out. “That’s just some stuff I put together too.” He smiled apologetically.

    “Okay,” I chirped. “Gimme a Yeungling.” He seemed relieved. I saluted him with my beer, and took a look around.

    The stage between bandsThere were the obligatory Slayer, Danzig, and Insane Clown Posse shirts in the crowd and a hundred more tees on the walls. Jucifer had a merch table set up in true punk fashion with a handful of DIY tees and totes. Colossus merch shared their table, and there were a handful of Irata stickers scattered around.

    “Hey, check it,” I said, nudging my date. “A drumhead signed by Alabama Thunderpussy.” He seemed interested.

    We wandered in across the poured concrete floor, pulling our jackets tight against the draft. There were a handful of the faithful scattered around the stage, which was stacked with amps, speakers, and the regular rock trash, and edged with tattered industrial-grade black plastic. A band called Irata was making the walls vibrate with their brand of downtempo metal; apocalyptic sound samples running riot over raw and synthesized chords. One of the guys had a sax welded to a tripod and patched into a pedal board; all kinds of warped sounds came out of that thing as he switched comfortably from frankensax to guitar and back again.

    Colossus
    The crowd was there to hear Colossus, and when these incredibly energetic guys blew the doors open with their first song, the place came to life. Skinny Sean Buchanan’s vocals screamed spirals around the two electric guitars, and although the bass amp went out partway through their show, they behaved like professionals and kept moving while one of the guys from Irata volunteered a replacement amp and quietly helped hook it in. Suddenly Rylan Wilshire was back in the house, and the team skydived into “Sunglasses in Space” – a huge crowd fave – before closing with “Wendigo,” which was the song I was there to hear. I don’t see how they could have topped a show any better.

    As Colossus pulled cords and carted off their speaker cabs, things quieted down a bit. I wasn’t sure about Jucifer – sludge metal isn’t really my music – but I was interested to see a hardcore band with a female lead. Some of the songs I dialed up online were curiously beautiful, and I hoped we’d hear those.

    But their live show is brutal and relentless from the moment Amber Valentine slashes out an opening chord. We were doomed.

    Growler

    I think I counted 13 amps in their stack, driving sound in brain-melting waves through a towering white wall of speakers. I’ve never heard anything that loud in my life. Fog erupted from multiple points and wove its way in and out of pulsing laser spikes, and a set of blinding white floodlights sent regular shock treatments directly into the upturned faces of the crowd. Edgar B. Livengood may be the heaviest drummer on earth, and a small group of worshippers crowded the monitors at the front of his colossal drumset, begging for his blessing.

    She growled and her guitar screamed; he destroyed the drums. I have no idea what songs they played, and I don’t think it mattered. Their show is a howling juggernaut; it was bow or be crushed. Some didn’t survive.

    While I’m not quite a Jucifer convert yet, I’ll be back to Volume 11 again soon.

    You can see my set of photos from the night here. Click on the slideshow option!