Tag: rock and roll

  • Mosh Pits and Group Hugs: The Ichthus 2011 Report

    Mosh Pits and Group Hugs: The Ichthus 2011 Report

    The First, age 16, just returned from the Ichthus Music Festival in Wilmore, KY.

    Over a hundred bands on more than seven stages, four days running. Approximately one bajillion crazy spectators, mostly unwashed (they do have cold showers there, and there was a trailer where you could pay $3 for a hot shower, but the First did not elect to spend his cash this way, preferring instead to tough it out and get hosed down regularly in the mosh pit; more on that later).

    Having decided to drive home in the middle of the night in order to beat thunderstorms (which relegated all festival-goers to their vans as a result of concert-wide ruling) and the end-of-Ichthus crush to leave, he and his group of friends arrived back at our church near-zombified, but happy.

    He grabbed his gear and slid into the backseat of my car with one of his brothers and sighed happily. “There’s so much room in here,” he commented, stretching out in my little compact. He made the trip up to KY in the back of a 15-passenger van loaded with 15 passengers and their luggage, and rode back in the cab of a small pick-up truck with three passengers (luggage piled in the flatbed).

    They all became quite close.

    I waited interestedly to see if the urgent need for sleep would win out over the desire to give the first festival report.

    “There were some incredible bands,” he summarized, reeling off the names of a dozen or more. “And the mosh action was phenomenal.”

    Ahh, the mosh pits.

    Two years ago I introduced the First and the Ice to mosh pits at Crüefest, their first major concert festival, telling them well in advance to keep away from the front of the stage, and carefully and repeatedly explaining what they should do if they found themselves caught up in a spontanteous mosh.

    I had worried about it so much, and then I was the one who got caught in one up at the Rev Theory stage. Fortunately, only my sunglasses got broken before I could get out.

    I was pleased to learn that moshing may have been somewhat institutionalized since then. Apparently at Ichthus, there are not only rules — you have to have pit hair to get in the pit (clever! disgusting!) — there were also clearly designated areas for moshing. There were also people keeping the area and the moshers hosed down. The First said that was because the lots were gravel, and the hoses were to keep down the dust. But it also cooled off the moshers quite nicely. Probably washed off any blood as well, hah.

    But most notably, the mosh pits had lifeguards! Burly dudes in orange bandannas, who were the first to snatch up people who fell and who also stood as a living barrier between the crown and the moshers.

    This I found truly heartening, no joke.

    I grew up in the era when moshing was invented, and you could get seriously injured in a mosh pit at at Bad Brains or Black Flag concert.

    By the way, I highly recommend the documentary American Hardcore for footage of the early punk rock scene — you can watch the entire film online for free at this link and here’s the trailer, also embedded below, which will give you a good idea of what I mean. The footage that starts about 57 seconds in is forever etched on my brain, and I have always been exceedingly cautious at concerts because of this sort of thing happening during my early concert-going years.

    So while my son related his various experiences in the mosh pits at the hardcore stage, I was incredibly grateful to hear him casually mentioning how well-monitored the pits were, and how, err, safe. Even when the bands themselves screamed for a Wall of Death (here’s a link where you can see the Wall of Death) the kids seemed to all take care of each other.

    I mean, as much as you can “take care” in a mad rush to slam yourself bodily against an oncoming tide of humanity.

    But here’s the interesting thing.

    He mentioned something I’d never heard of before: pre-moshing group hugs. Apparently there was a guy who regularly helped initiate the moshing, and the First said that sometimes, when the pits were full but not yet moving, this guy would gesture wildly to get everyone’s attention, and then throw himself madly at his fellow moshers in a ferocious hug.

    And as if by some predetermined agreement, an all-out, near violent (but nonetheless well-meant!) mass-moshpit hug would occur. In my mind it looks something like the exuberant dogpile you sometimes see in football and other sports, immediately after the team has pulled off an incredible win.

    And after the hug, full-scale moshing.

    I have no idea whether this was something unique to Ichthus (which is technically a Christian music festival) and/or this particular dude, or whether it’s a trend in hardcore mosh pits these days.

    Either way, I kind of like the idea, don’t you?

    Image by Rich Copley, posted on Copius Notes.

  • Appetite for Destruction Slays It at the Pour House

    Appetite for Destruction Slays It at the Pour House

    One of my dedicated rock aficianado friends was going to see The Cult play live in Austin in 1989, and he remembers there was “some group of hosers called Guns ‘n Roses” as the opening band. He and his friends had never heard of them and jokingly referred to them as “Guns ‘n Posers” as they stopped by a bar on the way to the concert to “wait out” the opening act over a few drinks.

    So neither of us have ever seen Axl, Slash, and the Guns ‘n Roses crew live, but I’ll bet you he has sincerely regretted those beers ever since.

    (There’s actually quite a bit more to the story, including the fact that after the concert, the Cult came out to the club where he and his friends had gone to catch another buddy’s final set, and there was much impromptu playing and brushes with fame. You’ll have to beg SB to tell you the whole story.)

    This week, though, I finally got to see the group that has been hailed as the best GnR tribute band ever. Appetite for Destruction lit up the stage at the Pour House in Raleigh, playing a single, incandescent power rock set for a benefit show.

    These people are off the chain.

    Chad Atkins — aka Not Quite Axl — rocks the sexy kilt and long red hair — he looks even better than the early 90’s era Axl in my opinion. And anyone singing these songs has to have an incredible voice and a good bit of range. Atkins signs, seals, and delivers on every vocal promise Axl ever thought of, and some he didn’t.

    Mike Eddington’s Not Quite Slash delivers the iconic waterfall of black curls and screaming guitar with completely understated rockstar cool. This Slash was unable to smoke while playing; you can’t smoke in bars anymore in NC and as far as I’m aware even President Obama, Cousin Itt and the Buddha would be required to comply. (Don’t you think of Cousin Itt when you see Slash?)

    As it turned out, I ended up bumping into Chris Clark — whom I never would have pegged for Izzy Stradlin until I saw him on stage in full get-up — ahead of the show. That may be partly because offstage, his hair was bright blue. I was trying to find out when Appetite would go on and I asked him if he knew (!). He did. (And later he had on a black wig over the blue hair.) With a ready smile, skinny black Joey Ramone jeans, and a low-slung belt covered with metal studs, Chris delivered plenty of Izzy onstage, including outstanding backup vocals. In fact, he was so convincing I was tempted to wonder if he was a songwriter, too.

    Mike Ropelewski took on the role of GnR’s chronically troubled drummer Steve Adler, and he powered through the entire set with gleaming biceps (oh, the picture, ladies), big grins, and all the showdog flourishes.

    Normally I’m all about the bass player but in this particular case I was taking in the show from an odd location in the house and never did really get to see Brokeback Bucky delivering bassline as GnR’s Duff McKagan. He may have been tucked away at the far edge of the stage where I couldn’t see him, but I do know that the sound was solid and the bass and drums together were slamming up through the floorboards in a highly satisfactory manner.

    AFD opened with “It’s So Easy” and barreled full force through raging favorites like “Night Train,” “Rocket Queen,” and “Civil War.” And Thank the Good Baby Jesus they did NOT play “Sweet Child O Mine.” I am so tired of hearing that done by cover bands I’m well and sick of it. (I heard Slash hated that song too.). They did “You’re Crazy,” and Paul McCartney’s “Live and Let Die,” complete with snarky Axl intro. And yes, they played “Welcome to the Jungle” since it’s a cosmic law they have to play that or a unicorn dies.

    One of the best moments of the show for me was well after the band had relaxed into the flow and Chad was periodically coming out of character to give us a few brief but hilarious commentaries on Axl, mid song. During “Patience” — which is a great song and a great joke (as if Axl were known for his patience) we were treated to

    Chad as Axl, crooning:

    Sit here on the stairs
    ‘Cause I’d rather be alone
    If I can’t have you right now, I’ll wait dear…

    Chad as Chad:

    He was just so full of shit.

    And Chad goes right on with the next lyric, as if nothing had ever happened. I nearly sprayed my beer.

    My only complaint was that the crowd was a bit psycho. You know the standard drunk people who crowd the stage, wanting to stroke the bass frets, or sing into the mic, or (my biggest pet peeve) shout personal requests into the ear of the lead singer, while they’re trying to sing.

    We had that, but we also had one dude at the front constantly trying to hand tabs to the band while they were playing. Chad and Chris repeatedly shook him off, but the guy would not take no for an answer, he wanted to put the tab in their mouth, it was endless. I really wished a bouncer had booted him and his obnoxious buddy out.

    I admit to some curiosity about how Appetite For Destruction would choose to end the set, and I would have laid money on “Paradise City,” but instead they ended with “My Michelle,” an outstanding choice that had the crowd in paroxysms of drunken, delirious joy.

    Appetite for Destruction has been burning it up like this for 10 years now, and I’ve heard at least one (completely unsubstantiated) rumor that they may quit doing the show after this year. According to their website, they average 200 shows and 60,000 miles a year, and that’s bound to take a toll.

    I do know that they are scheduled to play the Lincoln Theatre in August (I’ll see you there in June for Shoot to Thrill) and if you don’t get your ticket I’ll be forced to unfriend you on Facebook, loser. These guys have one of the greatest shows in the Triangle — in the state! — and you’re crazy to miss any opportunity to rock with them.

    Top image by jeffzika on Flickr; the others are from AFDs Facebook: go friend ’em!

  • Hair Metal Playlist for Running and Roping

    Hair Metal Playlist for Running and Roping

    Warning: rambling post filled with (clearly labeled!) tangents ahead. Feel free to skip to the bottom for the playlist.

    It was about 90 degrees outside but the sun was dropping when I headed out for a run. I’m not yet acclimatized to summer heat workouts, although I have no choice but to get there eventually.

    I was just about to drop onto a 2 mile circuit when a man ran past me, looking like he was on a ten-minute per mile pace, which is where I was feeling I would be running. He was there first, so I watched him cruise past. I’m a bit anal about pace suckers running right behind or in front of me, so I cranked up my Shuffle and stretched until I was pretty sure I’d given him at least a quarter-mile lead.

    Tangent #1: The pan-galactic rule is, if they are there before you are and they are running on your pace, give them room. Don’t be a leech. I don’t care what planet you’re from, there’s no excuse. (And I think I’m not the only one who feels this way.)

    Fortunately, I wasn’t in a hurry.

    I just needed a little baby 20 minute run and 20 teeny minutes on the jump rope, since it was my “off” day.

    Tangent #2, or why I call this an “off” day. Boxing-specific training is sometimes so hard on my body that I can’t always do it two or three days in a row. I’m at a new gym and working my way up to a Mon-Tue-Thur (plus Sundays training with Jay) boxing-specific schedule, which is ambitious simply because of that three-day marathon at the beginning of the week. So far I’ve had to skip the Tuesdays. On off days I run and jump rope and do other stuff. I do actually take at least one or two off-off days each week. Was that clear at all? Let’s just keep digging, shall we?

    Tangent #3: Sometimes I use the language of “non-boxing-specific” to designate “off” days. But that sounds a bit awkward, don’t you think? Maybe I’m just linguistically lazy. I do flip flop on it, because I also think it sounds painfully pretentious to be working out on an “off” day.

    Feh. Whatever.

    I was telling you about my off day, during which I run, rope, and sometimes do hurdles (I don’t do those 2 days in a row, either).

    (Here I’m powerfully resisting an entire fresh tangent on my hurdles. You’re welcome.)

    Once my path was cleared of people on my same pace, I dropped on and the first mile felt pretty fast, especially considering the heat. In fact, I was chagrined to catch up to the man on my pace, but fortunately he finished his run just as I passed him on the trail. I may have been doing 9.5 minute miles; I know they felt easy.

    It was the rope that was hard.

    I was already stripped down to a sports bra and shorts, and I was sweating so much the foam padding on the jump rope handles was soaked and kept slipping out of my hands. There was a perfect circle of sweat droplets around me on the picnic shelter’s cement floor. I was in the shade, thankfully, but I could feel myself riding the edge of overheating.

    I took 4 or 5 fifteen-second breaks to sip and spit water (if you swallow it, you end up jumping rope and sloshing, which is uncomfortable — woo, narrowly avoided a Tangent there.), but I was careful and never got that eerie, suddenly chilled feeling that indicates onset of real problems.

    And as I was reflecting on the reasons I ran so fast and worked so hard to make it through my simple, short “off” day workout, I decided it wasn’t the heat that was the determining factor.

    IT WAS ALL THE FAULT OF HAIR METAL.

    It’s crazy how much music controls my pace! I think this playlist was part of why I had such a fast run, and also why my rope session was way too fast and difficult — hair metal rocks! So I am putting a few more low-bpm power ballads in the mix next time. Every Rose Has It’s Thorn or something.

    Tangent #4: I just downloaded an app called beaTunes that will catalog my music collection and tell me the acutal beats per minute on all my songs. (Strangely, iTunes doesn’t do this automagically. But don’t even get me started on an iTunes Tangent, because I have a whole series of those and they’re better termed Rants.) The app hasn’t had time to work yet, so you don’t get the playlist ordered by bpm, so if you go for a run and rope in the heat on your off day, you’re on your own.

    Oh, and I gotta give credit — or possibly blame — to Jay, with whom I regularly exchange hair metal playlists. He’s the one responsible for a chunk of these songs.

    Actually I only want to say very nice things about Jay, on account of his vicious hooks.

    Anyway, hair metal is accustomed to taking the blame for all sorts of ills. One more won’t matter. I hereby dub this playlist:

    Overheated

    1. Welcome to the Jungle / GNR
    2. Ready to Strike / King Kobra
    3. Big Guns / Skid Row
    4. Hellion / W.A.S.P.
    5. Blind Faith / Scorpions
    6. Slide it In / Whitesnake
    7. Bang Go the Bells / Babylon A.D.
    8. Heartbreak Station / Cinderella
    9. Rocket Queen / GNR
    10. Hunger / King Kobra
    11. Wait / White Lion
    12. Cold Blood / Kix
    13. Electric Gypsy / L.A. Guns
    14. Heaven / Warrant
    15. Back for More / Ratt
    16. Unchained / Van Halen
    17. Knock ‘Em Dead, Kid / Motley Crue
    18. Hang Tough / Tesla
    19. Wild Child / W.A.S.P.

    Okay, final tangent, #5, not that you’re keeping track: I realize there are absolutely no Megadeth songs on here, and yet I’ve posted a picture of Dave Mustaine. It’s that incredible hair!!

    Long live hair metal, and the hair that goes with it. Tell me your fave Megadeth songs and I’ll cue ’em up for the next playlist!

    Image by ghoulmann on Flickr.

  • Power Ballad Love Song Playlist

    Power Ballad Love Song Playlist

    My cool friend @renewabelle has had some interesting jobs. She did a (paid!) stint as a chainsaw-wielding maniac, has some bartending and comedy in her history, and she did a little bit of basement radio station DJ-ing at one point as well. I put together this playlist from one of her audio tracks from those days.

    The list has a “Love and Lack” kind of theme, and many of these bands are big-hair metal rockers from back in the day. I probably have a few of them wrong; I was scribbling notes as I listened and worked. It’s a solid list, although it devolves a bit toward the end, partly because she was taking requests from listeners.

    If you’re looking for some 80’s era power romance ballads, you’ll find some gems on this playlist. The one I’m playing over and over again right now is Fly to the Angels by Slaughter. I’ve embedded a few more in the playlist below. Rock on, dudes.

    Fly to the Angels / Slaughter
    Higher / Firehouse
    Miles Away / Winger
    Waiting for a Girl Like You / Foreigner
    Heaven Isn’t Too Far Away / Warrant
    Fly to the Angels / Slaughter
    Still Loving You / Scorpions
    Heaven & Hell / Black Sabbath
    Only Time Will Tell / Poison
    Every Rose Has It’s Thorn / Bon Jovi
    Don’t Know What You Got Till It’s Gone / Cinderella
    Bringing On the Heartbreak / Def Leppard
    Is This Love / Whitesnake
    House of Pain / Faster Pussycat
    Without You / Hinder
    When I See You Smile / Bad English
    I Won’t Forget You / Poison
    Missing You / John Waite
    Open Arms / Journey
    Don’t Close Your Eyes / Kix
    Love / Def Leppard
    Love of a Lifetime / Firehouse
    More Than Words / Extreme
    Sometimes She Cries / Warrant
    It’s an All Night Thing / Temple of the Dog

  • What’s Your Mic Check Song?

    What’s Your Mic Check Song?

    I can rock a shower stall with some tuneage. Ditto commuter solos in my Scion xB, windows rolled up. Public performances, not so much.

    But I still have the mic check fantasy.

    You know, it’s a couple of hours before the show and the band members are all on their instruments tuning up and stuff, and my sound man is trying to get the mix right. He gives me the nod and I make a minute adjustment to my wireless headset and give him something to work with.

    What do I belt out? I give him the lead-in to Fatboy Slim’s remix of Front 2 Back (click to play).

    In the fantasy, my percussion player breaks out some supportive rhythm behind me, and the keyboard chick grins and comes in right after. We start rollin’ it out and the handful of roadies left on the set bust a move or two as they finish up their work. The sound guy gets me in the mains, monitors, and gives me the thumbs up. The levels are awesome; I’m in Tha House. Everybody loves me. I am the party mistress, before whom all shall groove.

    I don’t mind that this will only ever happen in my dreams; that way I can keep the fantasy pristine.

    What’s your mic check song (fantasy or otherwise)?

  • What to Wear to Your First Gig, If You’re Four

    What to Wear to Your First Gig, If You’re Four

    Our boys have grown up in a rock house. See exhibit A, the Maker, above; they’re groomed for it before they’re outta Huggies.

    But the First, being first, set the bar for his younger sibs, and he did a pretty fair job of it.

    When he was four years old he had two friends at church named Jimmy and Julie who were his same age, and without whom he was rarely seen. Someone decided that the three of them would be a charming singing trio, and undertook to form them into a group, predictably named “The Cherubs,” which practiced regularly for several weeks.

    The First woke up stoked on the morning The Cherubs were set to debut. “I got my first gig today!” he told me when I got him out of bed.

    He dragged his underbed boxes out and chose his gig threads. His teacher had requested that the boys wear khakis and a dark shirt, but the First felt that was not quite gigworthy enough and dug around until he found his single favorite accessory: what we called his “Elvis belt.” It was a silver glitter belt that I’d found at some teenybopper shop; it was long enough on a four-year-old that it could circle him twice before buckling; very 80’s.

    And it really added just the right touch to the khakis and dark shirt thing.

    The sun shining through the windows of the church that morning made the belt throw some amazing sparkles around when the Cherubs went on. The First did some cool little Buddy Holly hip-swiveling when he noticed.

    Nobody stormed the stage, but they wanted to, I’m certain.

  • New Playlist for Boxing Training

    New Playlist for Boxing Training

    One of my super-tough MMA chick friends (who will box with me periodically and who is helping me learn ju jitsu: fist bump Junie!) sent me a few suggestions for refreshing my quickly-getting-tiresome Shuffle playlist for training. Her main additions to my existing soup were:

    • Nine Inch Nails, Head Like a Hole
    • Alice in Chains, Again, Over Now
    • L7, Shove

    While I was downloading, I also got the Rev Theory album “Light It Up” and some fresh Rob Zombie (Spookshow Baby). A new training playlist does wonders for me. Charges me up better than energy drinks and gives me mental edge. And new studies prove that loud rock music is really good for you! Like I needed incentive to jack up the volume.

    Here are a few other tunes that are staying on the list for now:

    • Hoobastank, Just One
    • Saliva, Your Disease
    • Sixx:AM, Life is Beautiful
    • Slipknot, Vendetta (what an awesome drummer!!)
    • Norma Jean, Robots 3 Humans 0
    • Pearl Jam, Love Reign O’er Me (my sentimental concession)
    • Korn, Twisted Transistor
    • Disturbed, Avarice
    • Deadsy, The Key To Gramercy Park
    • Celldweller, Own Little World
    • Emery, Studying Politics
    • Heavy D and the Boyz, Now that We Found Love
    • Pillar, Frontline
    • The Offspring, Nitro

    Feeling all refreshed, now, and ready to Kick. Some. Ass. Feel free to post your own suggestions (for music, not ass kicking. Well, you can do both, I suppose.) below. And remember: stay healthy, people. Crank it way the hell up.

    Image credit: Orange_Beard on Flickr
  • When My Kids Sing Dirty Rock Lyrics (that they heard from us)

    When My Kids Sing Dirty Rock Lyrics (that they heard from us)

    A local author and podcaster friend of mine blogged recently about her daughter’s first f-bomb. It was a funny read, and I thought she parented quite well through the situation. And it got me thinking about how I felt the last time I heard the Ice happily singing the lyrics to Warrant’s (and Poison’s) “She’s My Cherry Pie,” which he most likely downloaded from my iPod.

    She’s my cherry pie,
    Cool drink of water, such a sweet surprise.
    Tastes so good, make a grown man cry,
    Sweet cherry pie, oh yeah.

    Now. My boys — currently aged 9 to 14 — have grown up in a rock house. Their dad gigs 2 or 3 times a month with one of his bands which covers mostly 80’s hair metal and rock hits. The boys have been to a few of his gigs, the few that didn’t take place in a questionable bar late at night. They hear him practice these songs. They practice them on their guitars and drums upstairs. For that matter, they hear many of the same songs on Guitar Hero and Rock Band, or when they’re in my car with me.

    And let’s be honest here: those songs from the 80’s weren’t nearly as explicit as some of today’s music. But it still makes my ears completely red to hear them singing Aerosmith’s “Walk This Way” or Kiss’s “Lick It Up.”

    Don’t need to wait for an invitation
    You gotta live like you’re on vacation
    There’s something sweet you cant buy with money – lick it up, lick it up

    So far, I don’t think they really know what they’re singing, although my teenager probably has a clue. For that matter, does ANYone at the Canes games think about the lyrics to the Scorpions’ “Rocked You Like a Hurricane” or do they only know that one riff?

    So. What does one do when one’s 9 year old is belting out the Knack’s “My Sharona” (and doing it pretty well)? Does Doug Fieger have kids? Steven Tyler had girls, did he go through this? (They never tell you the important stuff on Wikipedia.) What would Joan Jett do, people?

    Come a little closer huh, ah will ya huh.
    Close enough to look in my eyes, Sharona.
    Keeping it a mystery gets to me

    Running down the length of my thigh, Sharona

    If you’re me, you flush to the roots of your hair (Omg! Did my kid just sing “You ain’t seen nothin’ till you’re down on a muffin”??!!) and pretend to ignore it. It’s rock, it’s good for you, right? Hey, we turned out okay… I mean, mostly okay. Didn’t we? Didn’t we?

    Image credit: jorbasa on Flickr
  • Purple Rock Hair

    Purple Rock Hair

    I just finished doing the Ice’s hair again; he’s pretty pleased with it. He had wanted it done for picture day at school but we didn’t pull it off in time, so this is for his birthday which is coming up in a week or two. You can read about the first time the Ice dyed his hair here, and you can see what color he did it for his first school dance here. Oh, and here’s a blue head one.

    This time the color is Tish and Snooky’s Manic Panic Ultra Violet, mixed with the last of our Jerome Russell Punky Colour Red Wine #1442. We love the Punky Colour because it has great staying power and it smells good. This one is appropriately grapey.

    Looks pretty rock star, doesn’t it?

  • Crüefest 2, Raw and Uncut

    Crüefest 2, Raw and Uncut

    I might have guessed when they split the entering crowd into a men’s line and a women’s line for a full-body pat-down that Crüefest might get a little out of control. It was hot as hell, no breeze, the drinking began well before any of the featured bands hit the main stage, and the inhalables were out before the sun went down. The crowd ran the gamut, but tended toward overweight, underdressed, rock rednecks who had girlfriends eager to strip off their shirts in public. If I don’t see another beer-bellied dude with pierced nipples for a long time I’ll be okay with that. And if the crowd was unruly, the bands, when they stopped playing and started talking, were way worse. When did great music become disconnected with the ability to complete a coherent sentence without dozens of f-bombs? I could be getting old.

    Nah. I’ve been to great concerts before, this just wasn’t one of them.

    Charm City Devils
    The first decent band to take the stage was Baltimore-based Charm City Devils, a straight-up garage-shaking classic rock band in the tradition of AC/DC and Guns n Roses, before either of those bands made it big. Their first release is being piloted by Crüe’s own Nikki Sixx through Eleven Seven Music. Their big single “Let’s Rock and Roll” seemed to go off well with the crowd, although I thought “It’s All About the Money” was much better. And high-voltage frontman John Allen, no less that many of the bigger bands at Crüefest, needs to shut up and sing. The patter is unbearably banal.

    Cavo
    While Drowning Pool did their screamo thing, I wandered over to a side stage and was pleased to catch Cavo in high rock mode, thrashing out earth-shattering guitar riffs and making my skin vibrate. I love standing three feet from a 16-speaker stack. Cavo is a bit more heavy metal than Charm City Devils, and they did a respectable job of rockloading that stage. Special props to grinning, bechained bass player Brian Smith, who delivered excellent frontman support and engaged the fans as well. (And he clearly works out; check out those biceps. I have such a thing for bass players. Was that a 5-string bass?) Btw, they did a nice video on YouTube thanking their fans for helping their single, Champagne climb up the charts. I didn’t hear them do Champagne, but Blame was a huge crowd pleaser during the time I was at their stage.

    Mosh WatchTheory of a Deadman
    When these guys took the main stage I had high hopes, but ended up being disappointed. They had drawn a good number of followers to the venue; I saw lots of home-made fanmerch (most notably super-tight, ripped, and puffy-painted “Bad Bad Girlfriend” tees) and expected the subsequent delivery of solid rock goods. However, lead singer Tyler Connolly had continuous trouble staying on pitch. He may have just been having a bad (bad) night, but he definitely had one all night long during this performance at Crüefest. They seemed to connect with the angst-flooded teen crowd, though, especially with I Hate My Life, which had every single high-schooler in the arena (and they were legion) on their feet, screaming the lyrics with fists in the air. ToaD “gets” highschoolers, I think. And what a great acronym, huh?

    Best of Show: Rev Theory
    So while ToaD riled up the teens, I headed over to a side stage to catch Rev Theory, which Rev Theorywas hands down the shock-runaway success of my entire Crüefest. This experienced band out of NYC has seen a good bit of success already, notably with World Wrestling Entertainment pushing some of their songs to the top of the charts, and leading them to a gig with Xbox LIVE. I happened to walk in on Far From Over (you MUST click through!), and got instantly pummeled by the grandeloquent, superinflated, unapologetic overload of heavy rock. These people NEED AN ARENA! And pyrotechnics! And more tight, slit-open leather, oh, yes, far far more! I was sucked in and giving them my full participation in Gimme a Hell, Gimme a Yeah, and actually got caught in a spontanteous mosh which broke my favorite pair of sunglasses and nearly got me squashed by an overzealous sweaty Hell Yeah dude, but it was all good. It was all excellent! It was a Pearl Jam, Nirvana, Queen-inspired, beyond Metallica wünderbeast. Screaming riff heaven. And the guitar player with the nose-ring and the long black hair? Torturously delicious rock crush. If you do nothing else, download Rev Theory NOW and turn it way, way up. Skip Drowning Pool, ToaD, even (gasp! I’m gonna say it!) Godsmack and Crüe, and give me more speakers, more power, and far more Rev Theory.

    I don’t know if I can continue, but I’ll try.

    Godsmack
    Let’s begin with the “don’t talk” part. True, I was still not recovered from the Rev Theory tsunami, but Godsmack was where I began to grow intensely weary of the endless string of uncreative profanity and meaningless chatter. The music was great, even outstanding, and there were certainly plenty of fireballs belched onto the stage to engage the most Rev Theory-dazed jade. Frontman Sully Erna knows how to do a show, but this one felt a little overscripted. The dueling-drum set piece was refreshing by virtue of Erna’s set being entirely done with hand drums and cymbals, and the intrumental break he spent encouraging front-row fans to take the guitar pick from his mouth was… diverting, but I wasn’t excited by the “Show us your t*ts” plea, and I ended up feeling underwhelmed by the show, despite a solid musical performance.

    Mötley Crüe
    This was arena rock in the great tradition of ELO, Journey, Styx, and Queen. The eerily-greenish padded cell (for the opener, Dr. Feelgood) was creepy and beautiful, and the strobe-lit walls were slowly split and flown up to be part of the mental-hospital-operating-room big set at the end of the number. The band rocked without a hitch through the entire Dr. Feelgood album, and thrilled the crowd with Kicksteart My Heart, Without You, and Same Ol’ Situation. The two long-legged glitter girls seemed a bit unnecessary, but I understand the desire of aging rock stars to keep baby candy on hand. I have to say, though, that Vince Neil is missing absolutely NONE of his range. That was deeply satisfying, and no mean trick.

    In retrospect, I’m not thrilled that I took my middle-schoolers to the show. I was proud of them, though; they listened carefully to my warnings to get clear of mosh pits as quickly as possible, and they were quiet and thoughtful when I shared my discouragement at the overall bad behavior, wretched language, and overt drug use at the concert. I think they loved the music for the music’s sake, and that’s the best way to come away from this Crüefest.

    Well, that and Rev Theory. Yeah.

    Rock Boyz